. PSD PHOTOSHOP vol. 2: Recreation, recovery and damage recovery by Sunil Kumar Barle

Author:Sunil Kumar Barle [Barle , Sunil Kumar]
Language: eng
Format: azw3
Publisher: UNKNOWN
Published: 2018-11-23T16:00:00+00:00

01

Chooseatheme Before developing any piece, you got to have a theme in your mind. What do you want to communicate? What ideas you want to expose? Which sensations you want to transmit? Having these goals defined, creativity occurs more easily, speeding up the entire workflow. A picture is worth a thousand words. A good idea is worth a thousand awful pieces. The goal of Typography was to show a composition study without telling anything by words. That's why the whole piece is messy and purposely meaningless.

Defineastructuretoyour

composition

Every good piece is planned before made. Some

of the solutions appear during the implementa

tion, but most of them must be drafted even

before you open a window in the program. Use the

paper and the pencil rather than the screen and

the mouse. Sketch the biggest amount of ideas,

shapes and elements that comes to your mind.

Try patterns that make your layout harmonious,

always imagining its possible results. As a guide,

draw from two to three lines that will sustain the

whole composition. Arrange them in various ways:

crossing, interlacing, putting in parallel etc. Imag

ine yourself alocating the elements, filling gaps

and valuing spaces. Since we are working with

typography, these spaces will be filled with types

and text boxes. Draw at least ten possible varia

tions of these guide lines on a piece of paper, and

then put them side by side. Trust in your artistic

intuition and choose the one that best suits you.

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